Monday, April 29, 2024

The 100 Best L A. Rap Songs

house of pain jump around lyrics

Here's how to find your way around in the Golden State. Of course, “Today Was a Good Day” is much more than a song; it's a timeless incarnation of Southland ambiance. What the Internet fanboys didn't understand in their well-intentioned quest to locate the calendar date of the mythical “Good Day” was that his good day is our every day. “6 N Da Morning” has a sharper beat than “PSK” with sharper details. In nine verses, the song takes us through three apartments, two clubs, three shootings, three cars, a chase, a jail term, and a plane ride from L.A.

Ras Kass "Soul On Ice (Remix)" (

“There He Go” also succeeds sonically, ranking highly among Sounwave’s best beats. Above all, the song cemented Q as TDE’s most charismatic member, a forceful and unapologetically authentic rapper with equally engaging lyrics and delivery. By the time his shamrock-flaunting crew became a mainstream phenomenon, Erik "Everlast" Shrody had been around the hip-hop block dating back to his appearance on Rhyme Syndicate's 1988 comp Comin' Through. "Word to your moms, I came to drop bombs, got more rhymes than the Bible got psalms." A grandstand-rattling classic to this day. For longer distances, all airlines, trains and buses can accommodate people with disabilities, although there may be a requirement for 48 hours advance notice. Public transportation networks have buses, trams and trains that are accessible without advance notice.

Ice Cube “Today Was A Good Day" (

How do you excise those who make you feel like a commodity? How do you release the rage you feel when watching the rampant violence perpetrated against black people every day? Over a lush and percussive sax-laden suite from Sounwave and Pharell, Lamar admits to initially avoiding all the aforementioned inquiries in favor of flesh and finances. Rap is his answer—a penance, a chance at redemption and resolution for “i” and we. “Ain't no bloodin', ain't no crippin'/Ain't no punk-ass niggas set trippin'/Everybody's got a stack and it ain't no crack/And it really don't matter if you're white or black.” Coolio may have been selling out the kind of South L.A. Reality rap he had helped to invent with WC, but in a year when gang violence was surging, you can't blame the man born Artis Leon Ivey Jr. for trying something friendly.

Warren G f/ Nate Dogg "Regulate" (

The remixes of “California Love” are split into a daytime version and a nighttime version. The original-based on a piano-driven Joe Cocker sample first used by Ultramagnetic MCs in 1987-has all the sharpness of hard sunshine, while the remix is smokier, smoggier, more perilous. Ellen DeGeneres likes to dance to the first version; the second is something that belongs solely to streetlife within L.A.

Even now, “Passin' Me By” seems like it was made just for them, that the listener is incidental, that we happened upon a group of friends while they were running styles on their couch. The queasy apex of the curl-and-locs era, “The Hood Took Me Under” is Compton's Most Wanted's masterpiece. The group's first three releases were pretty much flawless, but they really hit their stride when L.A. Ascended to the top of the entertainment industry and G-funk slowed to a crawl, allowing MC Eiht to flex his naturally throaty, unhurried cadence and show why he is the Ben Webster of West Coast rap. When Death Row's freshman class was first in session, around 1991, one of several duos to pair off within the larger collective was Daz Dillinger and Soopafly.

Here it is, the song that made a relatively small hamlet south of downtown Los Angeles one of the most famous cities in the world. Compton had been a middle-class white suburb for most of the 20th century, and following the LA riots it would slowly change to a predominantly Latino neighborhood. In the public consciousness, however, it will always been the territory of a crazy motherfucker named Ice Cube, from the gang called Niggaz With Attitude.

Today in Hip-Hop History: House Of Pain Dropped Their Debut LP 'Fine Malt Lyrics' 29 Years Ago - The Source - The Source Magazine

Today in Hip-Hop History: House Of Pain Dropped Their Debut LP 'Fine Malt Lyrics' 29 Years Ago - The Source.

Posted: Wed, 21 Jul 2021 07:00:00 GMT [source]

The song has all the paranoia and excitement and psychosis of that moment, in which Pac's creative juices were finally uncorked and left to mingle with the deadly rage that had simmered during his incarceration. They've been collaborators ever since, although the peak of their musical friendship was probably 1997's “Put The Monkey In It.” This was G-funk in its dapper middle-age. Instead of pulls of malt liquor at the local liquor mart, the beats now felt like sips of cognac at a well-appointed gentleman's club.

There are long-distance trains that connect the state with other parts of the US and regional trains, which provide more frequent local services. Alaska, American, Delta and United all offer service across California through mainline flights and their commuter affiliates. JetBlue and Southwest also have comprehensive networks of California flights.

house of pain jump around lyrics

Tha Alkaholiks "Only When I'm Drunk" (

The song became a hit, reaching number three in the United States. A 1993 re-release of the song in the United Kingdom, where the initial release had been a minor hit, peaked at number eight. When Macola pressed the first copies of “Boyz N Tha Hood” in the spring of 1986, the only place it was sold was at the daily Compton Swap Meet in the old Sears building on Long Beach Boulevard. Then it got popular in suburban San Fernando Valley, and after that, Tower Records locations all over the state started ordering more copies. By the end of the year, a Slauson hustler named Eric Wright had become a rap star. He was so scared to perform in front of crowds that he assembled the first incarnation of N.W.A to back him up (including Ice Cube, who had written the lyrics to Eazy’s big hit).

Ponder a world in which Greg Broussard was not deposed by N.W.A and the ascendancy of G-funk, and was given a chance to make his version of The Chronic. Then again, “Freak-A-Holic” might well be his version of The Chronic. Suffice to say that this is the dirtiest rap song without any dirty words that the West Coast has ever produced. Rap, the great King Tee introduced the world to Tha Alkaholiks at a time when they were desperately needed.

“And all the time I'm bumpin WC/Cause it seem like he the only nigga making sense to me.” Such were the words of the great Pimp C in 1994. WC displayed the kind of hard-won wisdom that a Texan could appreciate. Dub-C could have become the West Coast equivalent to Scarface, but where Face turned inward to brooding contemplations of mortality, Dub Crip-walked into a successful career as the third banana in Westside Connection.

We hear this and think of the photographs of Pharcyde Manor that Brian Cross took in 1992, when the group members gathered around a live drummer, threw back their heads, and rapped to entertain each other. Of all the works of aural architecture overseen by Dr. Dre, Above the Law's “Murder Rap” might well be his most underrated building. When asked to identify the center of an infamously centerless city, Joan Didion pointed to the intersection of Sunset and La Brea. Anyone who lives in the real Los Angeles could tell you that its center is the cloverleaf in which the 105 crosses over the 110. At the peak of East Coast political rap, he cut through all the sloganeering and Afrocentric posturing until his every line was a Molotov cocktail of truth that he would use to burn down the city, the industry, the country at large. Likewise, Hi-C argues that the curl may serve as a litmus test for potential sex partners.

“They don't give a fuck about you.” On the night that 2Pac watched Tyson destroy Bruce Seldon at the MGM Grand, the rapper's “Wrote For Glory” played in the arena. But most of all, this track is quintessential is for its incorporation of Gene Chandler's “Duke of Earl,” an all-time favorite of East L.A. The way that DJ Muggs rigs a tensile drum pattern to the golden sheen of doo-wop is the perfect symbol for how Cypress re-armed the L.A. Chicano tradition without sacrificing any of the local flavors.

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